Reviews

This is about a young teenager who was leading a perfectly happy straight life with his family; has a good friend group and a girlfriend that everyone likes. Then one day a new family moves into the house across the street with a gay son the same age. It is not long before the two boys meet and the one begins to realize some stuff about himself and that he might not be so straight after all. His realization causes him to act out and just basically be difficult to deal with for everyone until he is finally able to admit his feelings to himself and everyone else. The romance is cute and playful and it captures that feeling of when you first realize you want something more from your best friend and it had a happy ending. The only, kind of, downside - the movie moves at a slow pace and it takes them awhile before they get to the main storyline.

When you get a story written quite this magnificently it would take an extreme amateur to screw it up - and Francis Ford Coppola is no amateur. Marlon Brando, Al Pacino, James Caan and Robert Duvall represent the epitome of guile, sophistication, loyalty, honour and brutality in this self-adapted Mario Puzo story of the unambiguously ambitious "Corleone" family - they start with nothing and so the only way is up; however and whatever they need to do to get there. The characterisations are layered and colourful; Diane Keaton has no idea what she's getting herself into! John Cazale is great as the spineless brother "Fredo" too. Once again, Nino Rota pulls out all the stops to give this a score that helps cement this film's place as amongst the best ever made. My only criticism, and it is slight at that, is that the audio mix could have done with a bit of a boost. Much of the dialogue -...

While I'm writing this, The Godfather is still beloved by people who love it simply because they are told they have to love it. It's written by a mobster with the sole intention of depicting the lead mobsters as demi gods. Every line and every scene in the movie and the book is meant to intimidate people into thinking the "Mafia" and really any mob, is a supernatural force. This is a movie glorifying control freaks, and most critics are control freaks, and most critics are either in the mob or think they can join the mob. The movie itself is dull and totally uninspiring, not to mention totally uninspired. For fifty years, the sheep have been cowing to the control freaks who tell them to love this movie that degrades them. There just isn't anything favorable about this movie. It owes its success to people who have interests in the movie or think they can get brownie points with such...

The best movie ever... A masterpiece by the young and talented Francis Ford Coppola, about a Mob family and their drama, the story telling is perfect, the acting good, sometimes a little over the top in the case of Thalia Shire (the sister of the director) The 70's were the best years for Hollywood.

The Godfather Review by Al Carlson The Godfather is a film considered by most to be one of the greatest ever made. From The American Film Institute to as voted by users on the Internet Movie Database (IMDB) it is consider to be one of the best. As a film that ranks as high as other masterpieces including Citizen Kane, Pulp Fiction and 12 Angry Men, The Godfather is an exceptional piece of cinema excellence that is flawless and is simply the pinnacle crime drama. The Godfather revolves around the Corleone’s, an Italian family with deep roots in the New York City mafia. The head of the Corleone’s is Don Vito Corleone, a man who takes care of his family and demands respect in return. His son Michael however, who just returned home from World War II, doesn’t want to become involved with the family business. The Sollozzo’s, a family of drug dealers, confront Don and request protection in...

There is a reason why this movie is at the top of any popular list your will find. Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror). Sufficient drama and depth to keep you interested and occupied without stupefying your brain. It is the movie that has something for everyone.

Make way for the best film ever made people. Make way.

Some birds aren't meant to be caged. The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate Ellis "Red" Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them. There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn't give much inkling to anyone about what it was about, and with...

very good movie 9.5/10 محمد الشعراوى

Infinity Castle is a breathtaking kickoff to the final Demon Slayer saga, and it wastes no time plunging us into the chaos. The animation is jaw-dropping, with Ufotable pushing their craft to dizzying new heights—fluid battles, haunting visuals, and a sense of scale that makes every frame feel monumental. The pacing is relentless but never empty, balancing spectacle with raw emotion as Tanjiro and the Hashira face their darkest trials yet. While it’s clearly setting the stage for an epic trilogy (with 2027 and 2029 still looming), this first entry stands tall on its own—delivering both tragedy and triumph in equal measure. It ends not with closure, but with anticipation, leaving you desperate for what comes next. A near-perfect blend of heart and spectacle.

This latest series of adventures sees “Tanjiro” and “Nezuko” drawn into the equivalent of an animated Escher drawing as both they and the Hashira have to face a formidable array of Upper Rank demons as they sink lower and lower into this perfectly detailed, fluid, abyss of a construction. With the ultimate battle against “Muzan” getting ever closer, they must first face the mighty “Akaza” who has not only a remarkable arsenal of quirks and skills, but also something hitherto unseen by our intrepid “Tanjiro” - bit how to defeat it? It’s a film that starts as we are used to, with end to end combat scenes but around the midway point, we flip the vinyl over and enter onto an altogether more informative path. We are being told of the tragedies that touched the life of “Akaza” before his demonic days. We learn of a time when he was capable of love and affection, but was in turn subject to the...

Good but not extraordinary I watched it yesterday, and movies like this deserve no less than an IMAX experience. Having said that, I walked out with a mixed experience. I felt that they tried to squeeze too many side stories in one movie. In the first 2/3 of the movie, you keep going back and forth from fight scenes to side stories, which breaks the tempo. It was not well executed, and I would have preferred if they just finished one side story and then come back to the fight scenes to finish it. Also, many side stories were finished in rush, which did not add much context of emotions. Overall, the actions sequences and sound effects were great. I think they have 2 more movies linked up to finale, and hope they conclude the story in a more meaningful way.

🌟 10/10 – A Visual Masterpiece That Redefines Anime Cinema 🌟 Demon Slayer: Kimetsu no Yaiba – Infinity Castle is not just anime—it's an art form in motion. Ufotable has once again shattered expectations, delivering what is arguably the greatest animation ever seen in anime history. Every frame of Infinity Castle is a painting. Every battle is a symphony of light, color, movement, and emotion. The sheer scale of the Infinity Castle arc is staggering. Shifting gravity, kaleidoscopic architecture, and relentless pacing pull you into a world that feels boundless and terrifying. And through this madness, the animators create visual clarity and storytelling precision that defy logic. The fights aren’t just flashy—they’re intimate, brutal, and deeply emotional. You feel every breath, every strike, every sacrifice. Tanjiro, Zenitsu, Inosuke, and the Hashira face impossible odds with a sense...

Swapped (2026) — 70/100 ⭐ *Swapped* is a decent animated movie with great animation, a good storyline, and an enjoyable plot. The visuals are easily one of its biggest strengths, and the story does a good job of keeping things entertaining throughout. However, despite doing most things right, the movie doesn't really bring anything new to the table. The concept feels familiar, and while the execution is solid, there's nothing particularly surprising or memorable that makes it stand out from other animated movies. Overall, it's a good enough watch, especially if you enjoy animated adventures, but it's not something that'll stick with you long after the credits roll. Enjoyable while it lasts, but ultimately forgettable.

*(note4me: copied from letterboxed) - 15 August 2026* *SPOILERS.. kinda, beware* Wtf that plot twist actually killed me I was deadass rooting for Boogle man. Solid movie though cl teaches an important message about looking through the perspectives of other people and working together, a message that we very much need today. The only gripe I have was the ending felt a little rushed, with no explanation WHY Ollie is there with all of the Dzo, I mean I can sort of infer what happened but it is pretty ambiguous. Still a good movie though, good for kids.

you know what...i liked it surprisingly enough great plot twist fun characters good message. this review needs 100 characters though so...3 stars on this sites review system

I recently watched this movie and found it to be an enjoyable experience overall. The performances were solid, the visuals were impressive, and the story kept me interested from beginning to end. While some parts felt predictable, the emotional moments and pacing made it worth watching.

Avatar Aang: The Last Airbender (2026) is a solid, enjoyable return to the franchise, even if it feels a bit different from the classic series we’re all used to. At a tight 1 hour and 39 minutes, the movie moves fast. The plot centers on a global quest to locate an ancient power capable of restoring Airbender culture before a new threat, gets to it first. Because of the shorter runtime, it trades the slow-burn, episodic character development of the TV series for a sleeker, movie-scale adventure. It’s also great to have Dee Bradley Baker back providing the iconic sounds for Appa and Momo, keeping that classic connective tissue intact. It might not hit the exact same hit of pure nostalgia as the original series, but as a fresh chapter showing where these characters go next, it's a super fun watch that easily lands at a strong 80% -Refined by AI

The last few of DC's animated releases had been less than stellar in my view. However, I was looking forward to this trilogy release of the Knightfall storyline and this is a great first entry from the character designs and voice talents with both Anson Mount (Batman) and Michael Mando (Bane) doing excellent work. If I had one complaint, and they did do a fine job adapting this first chapter, I felt this was a bit too short (clocks in around 78-minutes with credits). Still, looking forward to part 2 which will probably come out in December.

Good god almighty... A coda to human destruction. Taking an already [perfect film](https://boxd.it/5lheBD) and building upon it until it towers alongside it, each one its equal; Godzilla Minus Zero is absolutely breathtaking, frankly, ear-destroying. Cranking up the voltage to nigh-unbearable levels, the film goes all in on a captivating monster-brawl action spectacle fueled by earnest existential dread; Takashi Yamazaki's narrative ambition and emotional transparency keep it from feeling false, manipulative, or distracting. Every jaw dropped, eye widened, and tear shed is earned. It can be brutal at points; some of the imagery is downright horrific, nauseating even, a truly timeless reminder of what war causes and continues to cause: endless, pointless destruction. Faultless in its production, bold, audacious, and angry, one of incredible scope, Yamazaki's direction is a sight to...