Reviews

Structuring the film in such a way that the viewer knows as little as the protagonist, the Nolan's have created a nifty puzzle that slowly unravels to its climax. 8/10

‘Memento’ is director Christopher Nolan’s tribute to classic film noir tales of revenge and mystery. By adding a new twist to traditional conventions, Nolan is able to consume and grip the viewer throughout the entire film and for years after. The aspect that differentiates this neo-noir from its competitors today is its jumbled and complex narrative which continually moves backwards in time. The viewers first see the main character complete his revenge murder (a triumphant scene we usually associate with the ending of film noirs). We then begin to see events unfold backwards and the reason for this becomes clear. Leonard Shelby (Guy Pearce) and his wife are attacked in their home. His wife is murdered but Guy Pearce is left with a brain condition that disables him from creating anymore short-term memory. Constantly being reminded of the horror of the situation, he is relentlessly...

Excellent. I can't believe I've finally gotten around to watching all of Christopher Nolan's films (I have 'The Prestige' on DVD, but have yet to see it), but it's been well worth the wait. There are a couple of handful of English-language directors operating right now that I will make sure I watch every single film of, and Nolan has become one of those for me, and rightfully so. A very fine twist on the noir framework.

We all lie to ourselves to be happy. It's not until a film like Memento comes along, or that you personally have to deal with someone close who suffers a form of this subject to hand, that you get jolted to remember just how your memory is such a prized and treasured thing - and crucially that it's one of your key safety devices. Christopher and Jonathan Nolan crafted one of the best films of 2000 based on those facets of the human condition. Their protagonist is Leonard Shelby, played with stupendous believability by Guy Pearce, who is suffering from a memory amnesia caused by a trauma to the head as he tried to aide his wife who was raped and murdered. He can remember things before the incident, but anything post that and he can't form a memory. So who can he trust? Does he know any of the few people who appear to be in his life at the present time? He tattoos his body to help him...

'Alien' isn't as eventful, and as such as entertaining, as I had anticipated, though it is still an enjoyable near two hours. It's a strong cast, with newbie Sigourney Weaver putting in a great performance. Tom Skerritt, Harry Dean Stanton, Yaphet Kotto and John Hurt are good too. I wanted to see more of them, though that's normal given the tightness of the setting - there's only so much they can do, of course. Other positives include the neat set design, solid special effects and well done tension building. I can't say I was ever fully unnerved, in fairness that's more a personal thing as fiction rarely scares me, but I was locked on for the entirety. It also gets respect for setting the benchmark it did. Will check out the sequels, prequels and spin-offs/crossovers with much intrigue.

The standard bearer of horror in space, Ridley Scott's masterpiece still thrills new generations of fans. The Giger-inspired alien induces a claustrophobic nightmare that still carries on in sequels and prequels.

There is a clause in the contract which specifically states any systematized transmission indicating a possible intelligent origin must be investigated... Alien is directed by Ridley Scott and written by Ronald Shusett and Dan O'Bannon. It stars Tom Skerritt, Sigourney Weaver, Veronica Cartwright, John Hurt, Yaphet Kotto, Ian Holm and Harry Dean Stanton. Music is by Jerry Goldsmith and cinematography by Derek Vanlint. The space merchant vessel Nostromo receives an unknown transmission as a distress call and land on the moon where the call had come from. Bad idea... Back on release it was one of the most talked about movies of 1979, backed by a terrifically tantalising trailer - which itself was backed by one of the greatest tag-lines of them all, the weight of expectation of a genre blending classic was colossal. This was only after all director Ridley Scott's second feature length...

Described by Roger Ebert as a "trapped in a haunted house" movie, this movie set the bar for Horror in the Summer. The "Nostromo," like "Star Wars" spacecraft, looks worn and in use, compared to the "just out of the box" look of "Star Trek" spacecraft. (And I'm a fan of the "Star Trek" universe!) The claustrophobic feel of the "Nostromo" is due to "filming inside of a tube" location shooting next seen in "Das Boot." A band of "space truckers" are awakened from hibernation, and are shocked to find that they are only half way home. The Company orders them to investigate an Alien transmission, which sets up a descent into Hell as the crew finds themselves being stalked by an opportunistic "Exomorph." As the crew is picked off one by one, the true nature of the beast and the odd attitude of the Science officer, Ash, raise the anxiety level over 100%. What sets this tale apart from other...

So, it is time to review the last good Terminator movie. When T3 came out, I swear that people forgot it was even released... but at least it felt like it belonged in the Terminator franchise. When Salvation dropped, it felt like it fit as well, but it was an MCG film, so it also felt like Terminator meets Mickey Mouse. And when Terminator Typo was released, it kind of did it's best to completely alienate all the fans that the franchise had developed over the years. But this one, well, this one actually was great. The Robert Patrick T-1000 liquid metal thing looked amazing, Patrick acted ominous and frightening, and seemed like a legit threat despite the size difference between he and Arnold. And in the process the T-1000 managed to produce some truly creepy visuals. And this John Connor, Edward Furlong, was absolutely amazing. You really got the sense from him that he could be the...

Great watch, will watch again, and can recommend. This is everything the original was turned up one notch. Now Arnold is a caring unfeeling robot, and we missed a whole movie where Sarah Connor went hard into training. This has twists, escapes, a liquid terminator, better special and practical effects, some big explosions, active discussion of how to change the future, and some really iconic moments. The movie isn't chatty in the traditional sense, once Arnold gets involved, all the dialogue outside the asylum is very much to mechanically move the plot forward. The terminators don't voluntary "chat", they more vomit exposition dialogue. While I'll always remember this as a great movie, it isn't without its flaws. Hearing John's pre-pubescent voice cracking almost made me turn it off, and I know I found a couple of (small) problems while I was watching, but I couldn't remember them...

While I am in that minority which believes it is actually the first Terminator movie which is the best of the franchise, don't let that for one minute convince you I don't absolutely love Judgement Day. It's honestly pretty crazy to me how just bonkers good these first two Terminator movies are. Especially when you consider how completely every single sequel managed to miss the mark. I like to imagine that in the Good Timeline, where everything isn't Terrible™, this movie is exactly the same, but the trailer doesn't spoil the twist about Robert Patrick being a Terminator and Arnie being a good guy. I know that they also spoil the twist about who's a Terminator and who's not and who's a bad guy and who's not in the trailers for the 3rd, 4th, 5th, and 6th too, but I'm pretty sure that in the Good Timeline those never got made, so whatever. Final rating:★★★★½ - Ridiculously strong appeal....

Terminator 2 is basically one of the greatest films of all time, its an absolute must watch if you like Science Fiction, Action, or even Comedy films. It could have been so bad, but the film somehow pulls it off with crazy stunts, an amazing cast and a great story. The film really tackles the fate of humanity straight on which gets you thinking about our path as a species but also what we can do today to change things. The story takes you on a journey which is one of the most believable time travel movies of all time. The action scenes are fantastic, with wall to wall fighting, car chases and military maneuvers that will keep you on the edge of your seat. That's mixed with a great cast and brilliant story telling from the directory. I would say its even better than the first movie which is also a classic. Overall I have probably seen this movie 20 or 30 times over the last 25...

The Handmaiden, adapted from Sarah Waters' Fingersmith, masterfully transposes the 19th-century London setting to 1930s Japanese-occupied Korea, creating a rich and visually stunning historical backdrop. Told in three intricately woven chapters, the film unfolds with gripping suspense, emotional depth, and narrative twists that keep viewers fully engaged. With award-winning cinematography, meticulous artistic direction, and powerful performances—especially from debut actress Kim Tae Ri—The Handmaiden stands out as a bold, sensual, and unforgettable cinematic achievement that expertly blends mystery, romance, and rebellion. Read the full review here: (Indonesian version : alunauwie.com)

Talk about the best laid plans! This is a cracking, sexy, thriller set in Korea during the Japanese occupation of the 1930s. It centres around the charming, butter-wouldn't-melt "Sook-Hee" (Tae Ri Kim) who takes a job attending the wealthy "Lady Hideko" (Kim Min-hee). She lives on a grand estate with her cantankerous uncle "Kouzuki" (Cho Jin-woong) and is frankly rather low maintenance for her new maid. Pretty quickly, though, we begin to smell a rat! Is she what she seems, and what has the obviously duplicitous "Count" (Ha Jung-woo) got to do with things? Well gradually, we find out that there are schemes afoot to rob the lady of her fortune, her liberty - even her mind. What the plotting didn't take account for, though, was human nature. A bond gradually starts to build between the two women, a bond of friendship, of trust - of love! What happens next...? This benefits hugely from...

In the circle of romance, deceive and defraud. Those who are into the world cinema, particularly the Korean, knows Park Chan-wook very well. But if you don't, then you must. His films are definitely for the grown ups. Like everybody else, my admiration for his work has started a decade ago with the film 'Oldboy'. He had tried his luck in Hollywood with 'Stoker'. Despite a good entertainer, it was criticised. I love Park Chan-wook doing hundred masterpieces like this in Korea than trying to do one in Hollywood. His ability to turn the good book into a great flick was phenomenal. Here it goes another one. This was based on the British novel 'Fingersmith' by Sarah Waters. The story of an orphan woman who assigned to be a maid for a young rich woman who is living under the shadow of her uncle since she has no parents. Yeah, I was expecting it, but I did not think it would be another...

#MovieReview #TheForgeMovie I recently watched the faith-based Christian film, "The Forge," which tells the story of a young man grappling with anger and resentment towards his biological father, as he strives to become a better person without truly understanding how. He is mentored by a group known as the Forge, particularly by a man who offers him a job, portrayed by the talented Cameron Arnett. Arnett's portrayal of this godly figure is truly exceptional, showcasing compassion, emotion, and acting prowess that surpasses any other faith-based film I've seen. Karen Abercrombie, reprising her role as Miss Clara from "War Room," adds a touch of humor and seriousness to the film. Meanwhile, Priscilla Shirer, also returning from "War Room," solidifies her place as one of my favorite actresses with her captivating presence that draws viewers into worship and belief. Initially unsure about...

Now I know that I'm not really the demographic for this, but I didn't mind the last one from 2023 so had an open mind as it started. Princess 'Peach' is kidnapped by the menacing baby 'Bowser' who is none too pleased that his dad has been locked up. He is determined to use her as leverage to free him, but that is exactly what intrepid and ingenious 'Mario' and 'Luigi' intend to thwart. What now ensues is the thinnest of stories stretched across a messy collection of interstellar scenarios as they bounce from world to world trying to rescue the royal damsel in distress. I always reckoned that the amiable mushroom people belonged more in an Arabian Nights tale than a sci-fi cartoon, but even their innocent cheeriness can't really enliven this rapidly and colourfully edited together sequence of pinball-machine style scenes. There is surprisingly little effort made to characterise either the...

It was engaging from start to finish. My minor gripe is that they introduced a scene that was deemed controversial by fans and removed it from the games yet they decided to add it to the movie, ok lol. Other than that, every scene had the right amount of comedy, action, suspense, and dramatic shot transitioned perfectly. The characters seemed much more themselves here than in the previous installment

A film that could have had great potential As a huge Nintendo fan, I have to say that I found this film strange and hollow, with a lot of wasted potential. It isn't like the first one, which at least had a basic structure to the main plot and some character development (I ended up liking the film). But this one doesn't even have a solid plot or character development. I have felt like I was watching fragmented scenes, which had disappointed me a lot; it could have a great story and be more enjoyable I hope the next film will be better than this one, as one of my biggest fears is watching adaptations made solely to exploit our nostalgia.

Full review: https://fandomwire.com/the-super-mario-galaxy-movie-review/ Rating: B+ "The Super Mario Galaxy Movie is a sequel that, while losing some of the narrative cohesion of its predecessor, gains massively in spectacle, ambition, and heart. Through animation that redefines the studio's standards and a Brian Tyler score that masterfully honors Nintendo's legacy, the film offers a memorable experience anchored by inspired vocal performances. For those who grew up with these characters, it's impossible to remain indifferent to the magic emanating from every animated frame or the way this space odyssey manages to transform nostalgia into something vibrant and new. It's a visually emotional feast that reaffirms the power of pure entertainment as a tool capable of transporting us back to the happiest moments of our personal history, proving that cinema is still the place where we can...