Poster for GoodFellas
Drama

GoodFellas

19902h 25m

8.5TMDB score
4.5/54 reviews

The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.

Director
Martin Scorsese
Cast
Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino

Reviews

JackthePGL Review from TMDB
★★★★★

Martin Scorsese was at his best when he made GoodFellas. It received five Oscar nominations and a winner for Best Supporting Actor for Joe Pesci. It's speechless for how great this movie was and it still is. GoodFellas is a fantastic crime drama and it's impeccably done throughout. The story is based on a true story ad it's taken place from 1955 to 1980. It tells a story about Henry Hill played by Ray Liotta narrating about his life as a gangster. Lorraine Bracco sometimes narrates as Karen Hill, aside from that, Ray Liotta does all the narrating. It's in the book. It's in the non-fiction book by Nicholas Pileggi called Wiseguy. Of course, everyone knows the scene where Henry tells Tommy that he is funny cause the way he tells stories and Tommy says "What do you mean I'm funny?" "Funny how, I mean funny like I'm a clown, I amuse you?" This is a famous scene for Joe Pesci as his acting is...

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CinemaSerf Review from TMDB
★★★★★

Ray Liotta is superb here as "Henry Hill", a man whom ever since he was young has been captivated by the mob. He starts off as a runner and before too long has ingratiated himself with the local fraternity lead by "Paulie" (Paul Sorvino) and is best mates with fellow hoods, the enigmatic and devious "Jimmy" (Robert De Niro) and the excellently vile "Tommy" (Joe Pesci). They put together an audacious robbery at JFK and are soon the talk of the town, but the latter in the trio is a bit of a live-wire and when he goes just a bit too far one night, the three of them find that their really quite idyllic lives of extortion and larceny start to go awry - and it's their own who are on their tracks. Scorsese takes him time with this story: the development of the characters - their personalities, trust, inter-reliance, sometimes divided, fractured, loyalties and ruthlessness and are built up in a...

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Andre Wilfred Sanders Review from TMDB
★★★★★

Martin Scorsese (director) always loves details in crime films, but he is not primarily interested in the crime itself. That is why his films are always produced with details that you may see as unimportant to you, especially if you want to see the movie for the purpose of seeing scenes of theft, murder, and so on, but you see the opposite. Somewhat other details are visible on the scene mostly The film talks about liberation, stereotypes, and entering a new world for humanity. It was Ray Liotta (Henry). He wanted, as I said, to break free from stereotypes and enter the world of gangs. Martin Scorsese (the director) filmed this unfamiliar life and directed it in the form of a film similar to documentaries because he filmed it as if it were a real, realistic life. That is why the presence of Voice Over was important in order to give you the feeling that there is a person sitting next to...

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John Chard Review from TMDB
★★★★★

In a world that's powered by violence, on the streets where the violent have power, a new generation carries on an old tradition. Martin Scorsese’s Goodfellas is without question one of the finest gangster movies ever made, a benchmark even. It’s that rare occasion for a genre film of this type where everything artistically comes together as one. Direction, script, editing, photography, driving soundtrack and crucially an ensemble cast firing on all cylinders. It’s grade “A” film making that marked a return to form for Scorsese whilst simultaneously showing the director at the summit of his directing abilities. The story itself, based on Nicholas Pileggi’s non-fiction book Wiseguy, pulls absolutely no punches in its stark realisation of the Mafia lifestyle. It’s often brutal, yet funny, unflinching yet stylish, but ultimately from first frame to last it holds the attention, toying with...

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